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![]() » 2. Vegetation and habitats 3. Advice for visitors: facilities, accommodation, weather, etc. 4. Directions to the valley (print-friendly format)
Vegetation and habitatIt's ironic that the prime bird habitat is on the richer soils of the valley floor where farming is the major land-use. Most of the special Capertee Valley birds are not in national parks or reserves but on private properties and along roadsides. On a national scale, this is the great misfortune for woodland birds. Fortunately the Capertee Valley has hung onto some of its best woodland and, with the co-operation of landowners, an ongoing programme of tree planting is helping to regain some of what has inevitably been lost.In order to look for birds effectively you need some basic botanical knowledge. In particular, the occurrence of nectar-feeding species is linked to the flowering of suitable plants. The following is not meant to be a complete classification of all the bird habitats in the valley, but a description of some of the most important things to look for and understand in order to find birds. Box-ironbark woodland is so named because it's dominated by eucalyptus trees of the "box" and "ironbark" groups. Trees are well spaced and the understorey often consists of native grasses, hence there is some overlap with the term "grassy woodland".
When conditions are right, the box-ironbark is transformed into a feast of nectar with the flowering of the eucalypts. At times like this it becomes one of the most lively and dynamic birding experiences in Australia with sometimes a dozen or more species of honeyeaters and lorikeets constantly flying to and fro, chasing one another and jostling for position amongst the blossom. The problem is, the particular eucalypts which are the best providers of nectar can be irregular in their flowering and don't necessarily bloom every year. For example, White Box might flower really well only once in 4 or 5 years. It's no wonder some Australian nectar-feeding birds are nomadic, without an easily predictable pattern of movements. It's what can make birding so exciting and challenging here and this irregularity of flowering is probably part of the reason that habitat loss has affected the Regent Honeyeater even more severely than many other birds. The most important nectar trees in the Capertee Valley are:
Its abundance is highest in disturbed habitats and isolated trees, which makes it especially valuable when habitat has been lost or degraded. The Box Mistletoe (Amyema miquelii) is associated with many of the eucalypts in the valley and in this area flowers mainly around MarchApril. From September onwards it becomes laden with fruit.
A different type of she-oak which grows away from the river, higher on the ridges and slopes, is Allocasuarina verticillata, or Drooping She-oak. This small tree constitutes the main habitat in the area for the highly specialised Glossy Black-Cockatoo, which feeds on the seeds. There's a good stand of these small trees along the roadside between the Coco Creek and Crown Creek bridges. In rocky areas the native cypress or Callitris grows, small upright conifers sometimes forming almost pure stands. There are no birds which are uniquely associated with these areas, however birds you might find here sometimes include White-browed Babblers, Eastern Yellow Robins, Red-capped Robins and occasionally Gilbert's Whistler, among others. Amongst the cypress woodland along Port Macquarie Road grows a rare Grevillea, a low shrub which attracts various small honeyeaters to its red flowers in spring. Around the edges of the valley are the scree slopes, steep rocky but vegetated hillsides leading up to the towering sandstone cliffs. Characteristic trees here include the Scribbly Gum, Grey Gum, Slaty Box and Capertee Stringybark, to name a few. These areas are difficult for the average birder to access without going through private property, however there are a few spots near Glen Davis where access is possible for energetic birders (for example, the Newnes Track). Bird species characteristic of the rocky scree slopes include the Spotted Quail-thrush, Rockwarbler, Yellow-tufted Honeyeater and in summer, the White-throated Nightjar. Turquoise Parrots are quite often found in the extensive woodland at the foot of these slopes. Also around the valley's edges, and along the river downstream from Glen Davis in the Wollemi National Park, are pockets of wetter forest with a more closed canopy and/or a denser shrubby undergrowth, where you may find birds normally associated with more coastal areas, for example, Bell Miner, Wonga Pigeon, Brush Bronzewing and Superb Lyrebird. Exotic fruit trees around homesteads, roadsides and settled areas (e.g. Coco Creek bridge and Glen Davis) attract fruit-eating birds such as King-Parrots, Satin Bowerbirds and occasionally Gang-gang Cockatoos. | |||||||||||
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| Hooded Robins. Drawing Fiona Lumsden. | |||||||||||
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Finally, it's impossible to ignore the extensive cleared areas. In its original state, virtually all of the valley floor would have been covered in woodland and forest. The clear grassy stretches are a result of land clearing, used either for grazing or for fodder crops such as lucerne. These areas now provide feeding habitat for Australian Pipit, Rufous Songlark, Singing Bushlark, Southern Whiteface, finches such as the Zebra, Double-barred and Plum-headed, and hunting grounds for raptors. Superb Fairy-wrens and the abovementioned finches abound where brambles or shrubby growth provides cover.
In winter, Jacky Winters, White-winged Choughs and the red robins can be seen in the open paddocks. The endless fences have become the new, convenient perches and easy places for a birder to spot birds on. | |||||||||||
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| Remnant box-eucalypt trees typical of the partly-cleared grazing land on the valley floor. A large mistletoe can be seen near the centre of the photo. Photo CP. | |||||||||||
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Website written and designed by Carol Probets. A NOTE ABOUT THE SITE This page can be found at: http://www.bmbirding.com.au/valley2.html © 2006 C. Probets. All rights reserved. Copyright of the photos and illustrations remains with the individual photographer or artist.
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